New England fashion and beauty photographer


Amy and Drew


This is the story of a fairy tale wedding, caught on March 11th of 2016.  I could not have asked for a better couple or location to capture.  I don’t shoot many weddings, but the ones that I do I always view as unique and special.  I’m lucky to have couples that give me the leeway to capture their day in my own way.  Special thanks for Gary Barragan for backing me up as 2nd shooter.

Congrats to Amy and Drew and may you have a life full of happiness in each other’s comfort.

Message from Amy and Drew:

Drew and I are truly blown away with what Josh and Gary did with our wedding day. Talking to Josh beforehand about the feel I had envisioned was so easy… Because that’s WHY I picked Josh. I wanted our wedding to be art. An expression of how it feels to be around me and Drew: our personalities, our style, but most importantly our love for each other and the commitment we made on that day. One particular shot is truly beautiful in so many ways. Josh and Gary captured the true act of love in a picture of Ezekiel’s hands giving Drew the rings before the vows. This picture means more than a thousand words. Our wedding day was a day full of so much fun, creativity, gratitude, joy, family, and friends. It was very small and intimate, and with your all’s help, it really was a fairy tale. Thank you for your love and support as we embark on our new journey. Josh, you and Gary outdid yourselves. #teamshark Hair- Ana Catalina Perez, Dress made by- Lauren Woods

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Horses at Dusk


I had just finished up a fashion shoot outside of Lexington.  It was just after sunset and I was cruising through the rolling hills admiring the scenery and landscapes, feeling grateful to be taking in such beauty after a successful shoot.  I had just topped a hill, and entered into a great patch of light which perfectly lit some beautiful creatures on the side of the road.  Kentucky is horse country; and while I had taken some images of horses before, there was something special about the setting here.  The light at dusk gave it an ethereal feel, and filled in every detail on their majestic bodies.  I knew that I had to turn around and least capture a couple of images.  What happened was moving enough that I started a personal project that would capture horses at this time of day throughout the year.   I called it Horses at Dusk.  Not only was it the lighting on the horses, but it was also the interaction that I had with them.  They were always communicating something with their body movement and seeming expressions.  These are magnificent creatures with complex personalities.  Some of those personalities are captured here.  I wanted to capture everything, the horses, the lighting, the mood, the small things that are easily recognized by somebody that works with horses, but new to somebody like me.

For the image editing, I wanted something that was raw and simplistic, but something that would match the lighting by capturing all the detail of the lighting.  I developed some custom settings that would give it dark undertones to match the mood of the lighting.  Since doing this project, I’ve used those same settings for several fashion images.

I did several shoots in the summer of 2015, and intended to capture horses during each season.  In March of 2016, I relocated to Hartford, CT.  Perhaps, I’ll have the opportunity to “finish” this project in the future.  For now, let’s just call it part 1.

I want to give special thanks to Emma and Le Tilghman for allowing me to run rampant with a camera with their horses.  Most of the images below came from that session.

Farewell, Kentucky…. I will see you again soon.




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10 things models do that I love




It was roughly 6 years ago when I started photographing models.  I lived in Atlanta at the time, and I started out as many portrait photographers started out…. I shot my friends, neighbors, my girlfriend at the time, etc.  I had no portfolio, nor did I know what I was doing.  However, that was also the exciting part.  I was charting new territory for myself, and I was able to interact with people in the process.  Interacting with people is one of the things that keeps me going.  It’s one of the great benefits of photography; it’s something that you can include others in… you can create great things as part of a team, and then you can share it with others.

As a photographer that specializes in photographing people, the crucial component, obviously, is the model that I’m shooting.  6 years ago, I was shooting my friends… fast forward 6 years, and I’ve been lucky enough to have worked with hundreds of models, all with unique looks, talents and personalities.  I’ve worked with a broad spectrum of skill level, from no experience to those signed with top agencies, such as Wilhelmina and Next.  I wanted to write a blog post to serve as a source of direction.  This is not meant as an exposé for those that didn’t do these things, nor is this directed towards any specific person.  This is information based upon my experience.  I’m using a lot of positive examples, with some examples of what not to do intermingled.  Models that do the positive things, are the kind of models that I want to work with.

Here we go…


1 – They know how to communicate.

This is where it all begins.  The whole process starts with somebody reaching out to somebody.  Sometimes the model and I know each other, or we know of each other.  Sometimes we don’t.  But that first step of communication is crucial, and it’s a first impression that will set the flow of everything that follows.  The best communication examples I’ve seen were professional and courteous.  If the model did not know me, then they introduced themselves.  In the age of social media informalities, I know that this is a bygone expectation.  But it’s a good first impression.  It’s good to hear how they noticed my work, or if they are mutual friends with somebody.  This establishes a connection.  It’s also good to hear what they are interested in doing.  What kind of work are they looking to do?  Is it something that would fit my portfolio needs or be something that I’m capable of doing?  If you’re a model looking to work with a photographer, I think it’s better to start with this formal message.  I often see models leaving comments on photographers’ Facebook and Instagram images, saying something like “Would love to work with you!”  That in itself is not a bad thing.  But follow that up with a direct message.  You’re going to be taken more seriously if you do.

Another area where communication comes into play is with comfort levels.  There should be clear communication and expectations established before the shoot as to what the look and outcome of the shoot is going to be.  When a model knows how to communicate well, they’ll feel comfortable expressing any concerns or hesitations with the intended outcome.  They should keep in mind, especially for trade shoots, that the photographer and probably others involved are putting time and effort into something that hopefully all of them can feel good about.  The worst scenario is when there is communication and everything seems fine during a shoot, then when it gets time to post an image, there is concern about who may see it and who may be offended, envious, etc.  This is something that should have been discussed beforehand.  To be honest, it’s not the photographer’s problem or the makeup artist’s problem who on the model’s friend list may be offended by what they see.  If the work is tastefully done, that is what should matter.  It all goes back to clear communication and expectations.  When people put a lot of time, effort and talent into something that they cannot share, and expected to be able to share, then that is an issue.  That is why it is important for the model to know what their boundaries are and to communicate them clearly up front.

2 – They are punctual

I can’t stress how important this is.  It is so basic and fundamental to success in everything, let alone modeling.  If a model is on time, it shows that they are prepared, professional, engaged, etc.  When they are late, it sends a message that they are none of the things that I listed.  It also implies that they value their time more than yours.  So when they show up late, it has a psychological effect on all those involved, and the shoot gets off to the wrong start.  Take steps to prevent this. Don’t estimate the trip time based upon perfect circumstances.  Plan for setbacks, plan for traffic, etc.   Make punctuality a priority.  Make it a habit.  And when you cannot arrive on time, clearly communicate.

3 – They know their bodies and they are comfortable with it.  

This one may seem vague and hard to define.  So many psychological factors come into play here.  One of those is confidence.  While the confidence can be boosted or diminished by the photographer, the model should come into the shoot “ready to rock it,” basically.  It’s easy to tell when somebody is a fan of the camera, and they want to work to get a great image.  On the flipside, if a photographer is spending time getting a model past all their insecurities, then less time is available to actually get great images.  The photographer should make it a comfortable environment and flow for the model, provide feedback where they can, etc.  This builds positive momentum when the model feels and knows that she is doing well.  That in turn makes me feel better about what I’m doing.  It’s all reciprocal.  It all starts with a baseline, and that baseline is higher when the model is confident about themselves when they walk in the door.

4 – They have a personality

This may seem harsh at first glance.  But my point is this… I think that shoots should be fun, and that means having an creative environment with open communication.  I love working with models that enjoy the process of a shoot, and are able to have fun with it and still be able to snap into “model mode” when necessary.  If there’s no personality, it’s kind of like doing a whole shoot without music.  It seems longer.  It seems mechanical.  And images themselves are much more powerful when they show personality.  If I’m getting a grasp of a model’s personality during the shoot, then I have a better chance of knowing how to bring it out in an image.

5 – They promote what we created

The best models that I’ve worked with do this.  I think that it takes a little bit of maturity.  It also takes a little bit of marketing savvy to realize how this can actually help the model out.  It’s realizing that the process is about more than just them.  They understand that there are others, potentially many others, that are contributing to the final outcome.  They also understand that promotion is a two-way street.  Photoshoots are a great way to cross-promote each others’ work.  When I shoot with a new model, I want others to take notice.  If I had a good experience with that model, I will work to promote them to others.  If I’m helping build their success, then that is rewarding to me in and of itself.

6 – They give credit to the team

This is pretty simple, and goes along with number 5.  But I appreciate when models spell out who did what in the credits when they post an image to social media.  I do the same on any social media post.  It’s just plain courtesy, because it’s more than just about me.  If I see an Instagram or Facebook feed or album with a ton of professional images, and no credits given to the people that helped create those images, that is something that makes me pass on considering a model for a shoot.

7 – They have a passion for modeling

It’s hard to be great at anything if you don’t have a passion for it.  I want to work with the best that I can, and passion plays a big role in that.  Models who have passion for what they do will realize that being a model requires work on a continual basis outside of a shoot.  This means taking care of themselves physically.  Yes, the fashion industry has a rather narrow mold of what a “fashion model” should look like.  I’ll disregard that as I please.  A model does have to be in great shape.  This is one of the aspects of being a model.  It takes work, and that means doing the things required to stay in great shape.  The other part of this is continually developing oneself as a model.  I like it when I see them doing shoots with other photographers, appearing in publications, etc.  This shows that they are actively involved in the industry on a consistent basis.  I also like to see a model developing in terms of poses and expressions in order to get more captivating images.  The more they have the opportunity to practice those things, the better they will become.

8 – They have a portfolio or are building one

A good model will always have a portfolio of their work available.  That portfolio should be the best examples of what they are capable of as a model.  This is the same for a photographer.  If I have a potential client or a model that I’m reaching out to, I don’t say, “yeah… just scroll through my Instagram feed, and you can see what I’m all about.”  This would be lazy and unprofessional and a waste of time for the person that I was communicating with.  Unfortunately, this is exactly what happens to me frequently as a photographer receiving messages from models.  They are often asking for TF (trade work), yet do not have a portfolio put together.  Coincidently, the majority of my paid work is doing exactly that… putting together model portfolios.  If a model is just starting out, I would highly suggest investing in one or two shoots with experienced photographers that will be able to provide a variety of looks for their portfolio.  If a model starts out with strong work, they will capture the attention of others that would be willing to use them for portfolio work or for paid gigs.  That momentum will build as they gain exposure and experience…. and a portfolio.

9 – They don’t re-edit the images and they upload the high-quality images

I appreciate when models understand this.  They know or have an idea of the amount of work that I put into the editing process.  I keep open communication with the people that I work with.  And I’m also open to ideas, suggestions, etc for the editing.  However, if I spend time editing a photo to make sure that the colors are right and the mood of the shot is right, the reaction I’ll have to seeing an Instagram filter being put over it will not be good.  Most photographers that I’ve talked to feel the same way about that.

The other part of this topic is uploading the files when models post to social media.  I will usually provide the model with the files that are formatted for social media uploads.  Most models do this, and there is no issue.  What shouldn’t happen is the model taking screenshots with their iPad or iPhone and then uploading that.  This deteriorates the quality of the image and is a bad representation of the work.

10 – They are selective with who they work with

While I would expect models to work with different photographers and build up their experience, at the same time, it is important for models to be able to differentiate between good work and bad work.  “Good work” is inherently subjective, but models should have some idea of what is quality work that they can use for their portfolio and what will further their modeling career.  If you’re a model and you have photographers reaching out to you about doing test shoots, and you are unsure about their quality of work, you should seek out somebody that you trust in the industry to provide a 2nd opinion.  At the end of the day, who you work with represents you, and that can be in a positive or negative light.


I hope that the list above is helpful in some way or another.  They are exclusively from my perspective, and not intended to represent an industry standard.  However, I am confident that those things will help a model further his or her career.  If you’re a model, photographer, makeup artist, hairstylist or anybody in the creative industry, feel free to reach out to me on Facebook or Instagram.  I’d love to connect with you!


Appearing in the image above (Louisa Kleinert, Laura Sioux Kirkpatrick and Pam Jean of The Beauty Patrol)

Walkin on Wabash


Working with new people in new locations is creative fire for me.  The opportunity  to assemble a team of beauty and talent and simply walk down a street can be a wonderful thing, and one that I don’t take for granted.  There are many things to love about Chicago, but one of the things I love for photoshoots is the infinite number of lines and pockets of light that I can use for a photoshoot.  Glass buildings suddenly become huge reflectors casting beautiful light on a model.  Trees and objects cast interesting shadows that I use in the composition.  My mind literally goes into overdrive and sometimes I have to reign it back in, making sure that I don’t short circuit.

For this shoot, I had the chance to shoot with the beautiful Angelika Rol.  I had ran across her profile a couple of years ago, and knew that I would want to work with her at some point.  I was a fan of her unique beauty.  What I didn’t expect was the ease of fluidity and poise that she had in front of the camera.  It was pretty much effortless for me, and the shoot had a great flow from beginning to end.  This was also my 2nd time working with Joanna Boblak.  She is highly talented at hair and makeup.  And I appreciated her attention to detail and flexibility to help us create, but also leaving room for improvisation.  Last, but not least, I was lucky to have a styling powerhouse for this shoot with Kenya Sherron.  Once I saw her website, I knew that she was going to add the right kind of stylistic elements to this shoot.  We went for a minimalist vibe with a retro spin, complimented with pink and white tones.  It was perfect for the setting that we were using.  I highly suggest checking out all their pages and work.

Model – Angelika Rol

Hair and makeup – Joanna Boblak

Styling – Kenya Sherron

Photography – Josh Eskridge


Chicago, I’ll be back soon!……

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Quiet Fury


James B. is one of the most powerful models that I’ve shot with.  When I say “power,” I mean in terms of ability to add dimension to an image.  This was a shoot where I wanted to get some solid male editorial looks.  I wanted to harness the power of natural light in an ethereal way on my rooftop.  We struggled with the elements for a bit.  The wind was fierce that day.  My 86-inch parabolic umbrella bit the dust in the wind.  As I was trying to clamp the canvas backdrop to the panel, the wind blew it loose and it started flying around everywhere.  I had a couple of seconds of frustration, then I realized that somebody wanted me to get different, better images than what I had intended.  Instead of battling the elements, I worked with them.  I asked Scooter to hold a light diffuser right over his head for each set.  This change of direction combined with the talent of James led to some of my favorite images that I’ve taken.  As I continually strive to “make images that matter” this set is part of that direction that I’m headed.

I wish James the best of luck with kicking off his modeling career.  These images are for his portfolio and submitting to agencies.

Model – James B.

Hair, makeup and assistance – Scooter Ray

Photography – Josh Eskridge



Afternoon with Abs


“Abs”… not as in washboard abs on a stomach, but as in Abs, an affectionate name given to Abigail Garrett.  Abby is a model from Berea, KY, who has only been modeling a few months now, but has since taken the local area by storm, appearing in editorials in many of the regional publications.  She has such a unique beauty to her, that it is often difficult for me as a photographer to not be satisfied with capturing just that aspect alone.  But this was a shoot where it was laid back, and we would focus more on interaction with the camera and going through several sets with the styling going from a light summer look, to a hard-light, swimsuit fashion look.  The hair and makeup was done by the talented Scooter Ray.

Model – Abby Garrett

Hair and makeup – Scooter Ray

Photography – Josh Eskridge


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Fall abstraction






I’ve always found it refreshing to step outside of my comfort zone and dabble in other areas of photography.  I think that this helps me keep the creative edge fine-tuned.  I decided to take a walk through my neighborhood of Old Louisville the other day when the leaves were in their full autumn color, with a nice, crisp breeze to rustle them about.  I took all of these images with a slower shutter speed between .5 to 1 second.  This is a break from the norm… which is trying to get the perfect focus and the perfect exposure… the technical paradigms that govern, yet also inhibit our creative vision.  It’s letting loose.  It’s painting, not with a paint brush, but with light and leaves.  It’s liberating.

I think it’s worthwhile for any photographer to do the following…..  1) grab your camera, 2) take a walk, 3) give yourself some parameters or limitations (e.g. slow shutter speed), 4) see what you create.



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Liz and Andrew


Liz Lane and I met on a creative project about 3 years ago, and we have since become good friends and creative partners.  I was honored and excited when she asked me to be the one to capture her and Andrew’s day.  Although the rain settled in and never left, Liz’s happiness greatly overshadowed that.  The laughter throughout the day was almost non-stop.  The joy of Liz, Andrew, family and friends at this wedding was unshakable.  Thank you to everybody that day that made it a memorable day of laughs and photographs!  Special thanks to Jim Tincher for 2nd shooting for me and assisting me throughout the day!

Personal message from Liz –

“Thank you to all of our family and friends for making our day so special.  It was absolutely perfect, and we will cherish the memories for a lifetime.  We hope you had just as much fun as we did!!!”


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Water and Rocks


This shoot was a low-key, relaxed evening shooting with Christen McAllister (Heyman Talent Agency) at one of my favorite locations in Louisville, KY, which is Falls of the Ohio.  It’s a popular location for many photographers, but the diversity of the location always plays to the unique style of who is creating and when.  I was going for results that were natural and elemental, and showed a harmonious beauty with the surroundings.  We shot against the jagged rocks with a perfect sun direction, which provided a crisp, colorful light, and then contrasted that with a softer look in the calm water after sunset.

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On the way up


My love for photography was borne out of my passion for travel and seeing the world.  Every once in a while, I run into somebody that has that same passion.  I was in Denver for a business trip a few weeks ago, and I was able to talk Cecilia out of her plans to go shopping for necessary items that day.  We hit the road from Denver and booked it down to Colorado Springs, where we drove through the Garden of the Gods.  We then began your climb 14k ft up to Pikes Peak, interrupted along with way with many photo opps.

“As we crossed the Colorado-Utah border I saw God in the sky in the form of huge gold sunburning clouds above the desert that seemed to point a finger at me and say, “Pass here and go on, you’re on the road to heaven.”
― Jack Kerouac, On the Road


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